Wombats and orchids: winter and the pre-spring buzz

Once we have passed the shortest day of the year, it is quite usual for some plants, associated with spring in cooler parts of the world, to begin to flower. Snowdrops and snowflakes, paper white narcissus, other types of jonquils and some daffodils, come to mind. They begin to flower despite the fact that here in southern Victoria the weather will remain wintry for another couple of months.

Galanthus ewelsii flowers after the winter solstice in my South Gippsland garden

 

Once August hits, we really start to see the emergence of flowers and birds start to nest on a scale that prompts people to rush to announce the beginning of spring.  Which it isn’t really. Not yet. It is a transitional season: it carries the hallmarks of spring while still wearing a winter coat. Silver wattle brightens the margins of the creek. By the end of the month, the very worst of the winter weather will be over.

Acacia dealbata, the silver wattle, is a signature flower of pre-spring in southern Victoria

 

I refer to August as pre-spring. Other people might have other names for it. The Kulin calendar calls it Guling or Orchid season, which follows the wombat season of Waring, our deep winter season and comes in advance of true spring, Poorneet, the tadpole season.

Clematis microphylla magnifying the winter light

 

I am fascinated by the subtle changes in light and temperature, the behaviour of animals and the growth of plants, which signal the seasonal shifts. The observation of these deepens our understanding of our environment and gives us a point of connection with indigenous people who have been noticing these changes over thousands of years.

 

 

High time for some changes

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The Gordonia axillaris, or fried egg tree, has begun the new season with a new look

High Summer has come along in fits and starts, as all the seasonal changes seem to do in southern  Victoria. The first day of December yesterday was a celestial day of heat, sunshine and endless blue sky. The changeability of our weather is legendary, so it was with no surprise that during the night we were woken by thunder booming directly overhead and a flood of rain that would lift the ark.

The rain will keep the garden, and the paddocks beyond, green through until January, which is a blessing in a year that is still set to be named, El Niño. Who knows what the place will look like in Late Summer? For now we are thankful and revel in the green. 

And are busy keeping the green in check. Amazing spring growth has now to be taken in hand with the hedge trimmers and brush cutter being the tools of choice. And I have been busy too making a few changes in my garden.

For most garden designers, the best type of gardening is the creation of a new garden from scratch, approaching a tabula rasa with a grand vision and implementing it. I am no different. I feel the thrill of creating a place that did not exist before, the joy of giving a garden to a client when they had none.  

Nevertheless, a garden is a most ephemeral and fluctuating work of art. Time brings growth. It can also bring a diffusion of the original aim and vision. The care of the garden might have led it to a dead end; a cul-de-sac of neatness and despair. For, as managers of such a dynamic phenomena, gardeners need to do more than merely trim the box and cut crisp edges. We need to make ongoing decisions: to cull, to shape, to replace, to introduce. 

As has been said before, it is the people who maintain the garden who are the real custodians of any garden design. Good gardeners are able to tap into the intent of the garden’s original design. They are challenged by an ageing garden to decide with their client the best way forward: restoration, rejuvenation or reinvention.

I delight in refining an older garden’s design and planting plan to interact with the change that time brings to it. Particularly in my own garden. And I would say my approach is one of perpetual rejuvenation, where I try to get back to my original intentions but within the limits of what nature has decided will actually happen. 

Much of my ornamental garden is made up of mixed borders consisting of shrubs and trees growing amidst perennials and annuals. The conditions are constantly changing. Picture the Gordonia axillaris, which for many years was a slender exclamation mark in its bed surrounded by irises, Francoa, Campanula and Anthriscus.  Over the years it has developed a middle age spread, squeezing out the undergrowth. Furthermore, it was also making a mess of the lawn as its skirts billowed over edging, shading the grass and destroying the shapes of the bed and the lawn. 

Following a conversation with a dear friend whose own garden I have long admired, I decided to remove all the lower branches of the Gordonia, up to about 800mm, so that stone edging would be revealed, the lawn given a fighting chance and the overall form would dominate less. Interesting new opportunities also arose.

 

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Danae racemosa, the poet’s laurel with Iris foetidissima in the background

A great quantity of space under the Gordonia for shade loving plants came into view! Finally, a few impulse buys that had been languishing in the nursery were to find a home: a low shrub, Danae racemosa, the poets laurel, from Stephen Ryan’s nursery, with deep green glossy leaves should bring a rounded form to contrast with the scrappy leaves of the neighbouring iris; Polygonatum multiflorum or Solomon’s seal have been introduced so their elegant arching stems will draw the eye into this new garden beneath the canopy. 

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The naked limbs of the Gordonia with Polygonatum multiflorum getting ready to spread

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The newly revealed limbs catch the late afternoon sunshine, the lawn is yet to recover

The rains have helped all these late plantings along no end. But now I might just take a break from the renovations as new plantings really do have to stop now until we are on the other side of the long summer months ahead.

Cutting back, letting go

Spring in the garden is an ongoing unfurling of new petals, the bursting of rounded buds, the seemingly endless succession of novelty, freshness and delight. It is so easy to become  intoxicated by this fragrant cocktail. So easy to wander around taking photos for Instagram. So easy to forgot there are still chores to be done. Space needs to be made for the growth that is coming.

This is really the perfect time for the clearing of the decaying old growth from last season that has been pleasing the eye all through Autumn and Winter with its warm earthy tones. Now, amidst the green flush of spring, these tones are out of sorts and the new growth at the base of the herbaceous perennials such as Miscanthus, Kniphofia and Nepeta and the similar subshrubs like Pervoskia and Agastache, is keen to get on and grow. The cuttings make excellent mulch. I have stock piled all the miscanthus for use in the vegetable garden over the coming months. Other, less pliable, more twiggy cuttings have found there way to the slow compost heap, where they will sit for the next couple of years before being put back on the garden. If I had a mulcher I could speed up the process.

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The before shot of the large centre bed at Clear Springs that has glowed warmly all through winter and is now ready for its annual prune

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The after shot. Cutting back the chrysanthemums has revealed an unruly clump of Narcissus ‘Erlicheer’ and the last three flowers of the champion Kniphofia ‘Winter Cheer’

This is the last chance to get plants in the ground to have a chance to be established before summer. Usually October is the cut off mark for me, but this year I think we are having an earlier season. My friend Peter at Hill Top Hives has already collected a swarm of bees for his apiary, a clear sign that spring has truly arrived in South Gippsland. I have planted many new plants this year already and am keen to see how well they do over the coming months and years.

I still have room for some more plants. Especially after the clearance of a few dead or dying shrubs that have lived out the term of their natural life. One of them was a very robust and vigorous Grevillea victoriae. A great section had started to die back last year,  and I had been hoping it wouldn’t spread, but other branches were dying, so I decided it was time to let go of what had been a very successful shrub for a dozen years or more. I have little success with the bigger grevilleas for any longer than that. They blow out or die back. Live fast, die young seems to be their motto. I would love to know if anyone has any longer living favourites in the medium to large shrub range? The smaller varieties, like the stalwart Grevillea lanigera ‘Mt. Tambouritha’ (sometimes marketed as Mt. Tambo), G. baueri, which strikes readily from cuttings and is worth growing for the foliage alone, and my favourite G. rosmarinifolia, shown below in its broad leaf form.

Broad leaf Grevillea rosmarinifolia, Clear Springs

Grevillea rosmarinifolia (broad-leaf form)

None of these will suit the purpose of the new gap in the native hedgerow along the western boundary of the garden. Maybe it’s a chance to put in a different type of native flowering shrub. This is a bird friendly section of the garden that is alive with wattle birds  for much of the year sipping nectar from the banksias and with black cockatoos ripping Hakea sericea fruits to pieces for the seeds within. These seem to be more long-lived in this climate. I had better make up my mind soon. In the meantime, I’m off outside with my camera.

The brightening

Cold days persist. Snow may still fall in the hills and on the tablelands. But as anyone who is spending time in the garden will tell you, things are starting to move. It is pre-spring, that brief period between deep winter and true spring when Muyan, the silver wattle (Acacia dealbata) blooms. The lemon yellow and silvery green of its flowers and foliage are colours bright in my mind’s eye, which I see through still, chill air, beside flooding creeks and rivers. An early plant that stirred me to awe: how I wondered at its flowering amidst the bleakest of days. It is far too large for any garden and is prone to fall apart or just drop dead full of borer, but you might be lucky to see it flowering along the river still. The photograph below was taken along the Yarra River (Birrarung) as it flows somewhere through Kew and Abbotsford. Penleigh Boyd painted this yearly phenomenon further up at Warrandyte and elsewhere. Someone once referred to them as scrambled egg paintings. I can see why.

Acacia dealbata

For if there were any colour that could represent this season, at least in my garden, it would have to be yellow. The first daffodils, the other early flowering wattles, some of the Kniphofias, even the Aeoniums, all send out striking yellow flowers at this time. Less stridently, but still apparent in late July and throughout August, there are primroses and phebalium and bulbinella, all cheerfully proclaiming the season. I lost my primroses during a few hot years when I didn’t water the ornamental garden. I lament their loss, but don’t pine for them.  Phebalium squamulosum, the forest phebalium (not much of a common name, I’m afraid), on the other hand, a small shrub native to south eastern Australia, has proven to be much longer lived in comparison. Tucked in amongst Mahonia, Phormiums and Plectranthus, it holds its own against theses bigger brutes; its bronzy foliage waiting quietly for its moment of sunshine: stars bursting from brown buds.

Phebalium

You might not be like me, confusing the native bulbine lily (Bulbine bulbosa) with Bulbinella (Bulbinella spp.). Both members of the Asphodelaceae, they are bright and cheerful and can cope with less than favourable conditions. I am growing the former in a client’s nature strip in Northcote and the latter in my unkempt ‘meadow’ in South Gippsland. Bulbinella is a much showier beast, with more gold in the flower and the composition of the flowers seem to make them vibrate with colour, a stunning display on a smaller scale than a Kniphofia, a plant it usually reminds me of. The little bulbine lily in contrast is a clearer yellow and more modest, but no less delightful, especially amongst the kangaroo grass and the vanilla lilies of a grassy woodland. I hope to grow more of it.

Bulbine Lily

I have grown many wattles over the years, many of them have flourished and passed away. One of my favourites is the sticky wattle Acacia howitii, which lives up to its name having leaves rich with a gum like secretion. I haven’t found it to be very long lived. On the other hand Acacia floribunda, I can’t kill. Even when I chop it down with a chainsaw, it will burst back to life vigorously from whatever stump I leave behind. The most successful wattle in my garden though is the Snowy River Wattle, Acacia boormanii, which has become a relatively long-lived thicket ( it must be about eighteen by now) that shows no sign of weakening. It suckers, hence the thicket, but in such a gentle and unprepossing way. It is probably only a bit over two metres tall where I have it. It comes out a little earlier even than Muyan, a yellow froth of blossom amidst the dark, dark green foliage. A perfect plant to edge a country garden with to provide protection and create a microclimate amenable to more fragile plants within.Acacia boormanii.jpg

So much yellow, it’s hard not to be cheered by it and the lengthening days.

Erysimum

Deep Winter is cold and wild and wet. This year in particular we seem to have been plunged into the worst of the season, even before the winter solstice has passed. One of the benefits of winter is the rain, which prompts the growth of some of my favourite plants in the relatively mild climate of southern Victoria. Globe artichokes (Cynara cardunculus var. scolymus), giant honey-flower (Melianthus major)  and honeywort (Cerinthe major) are some of the plants I love to see come to life in the wetter months. They all have glaucous foliage, and it is one of the marvels of winter to see water pooling in the valleys formed by leaves and by stems, like quicksilver, glinting in the morning light.

Another of these winter treats is the wallflower. Once known as Cheiranthus, the genus Erysimum is a long favourite of gardeners who like maximum effect for minimum input. You might remember seeing them in London used as a bedding plant, with magnificent tulips emerging from their froth of colour, if you have been there in spring time.

 

There are scores of cultivars in existence, some with descriptive and exotic names like ‘Cloth of Gold’, ‘Apricot Twist’, ‘Vulcan’ and ‘Persian Carpet’. The names might give an indication of the range of colours available, burnt orange, pale lemon, canary yellow, all sorts of purple and some might say red.

I have four varieties that I have experience using. I only bought one of them. That is the wildly popular Erysimum ‘Bowle’s Mauve’, which you can find out all about with a quick google search. It’s foliage is dense, made up of lance-like leaves, the shrub is compact and it flowers in a very pleasing shade for months on end, as they all do. Starting with the autumn break and continuing until early summer.

The other three have landed here so many years ago, I have forgotten their provenance and even their cultivar name, if ever I knew them. Most likely they came from friends as cuttings in moistened newspaper. For they strike very readily from cuttings and they grow well from seed. However, I find they are a rather enduring shrub in my gardens so I don’t need to renew them very often. I prune them back after flowering with the hedge trimmers to keep them shapely. They tend to hibernate over summer: they stop flowering, their foliage shrinks and becomes more glaucous to cope with the drier conditions.

As I said, I am not sure of the exact names of my cultivars, in fact I have a feeling one of them is an unnamed seedling anyway. But the three I have demonstrate their great colour range.

The most vigorous is the one that looks like it could be ‘Artists Paintbox’, which is a feast of divers colour all on its own. One website describes the flowers of this variety as exhibiting all of the following: ‘yellow-orange, salmon, purple-pink, and reddish-purple’!

The variety known as ‘Early Sunrise’ is multicoloured too, but possibly in a more refined way, leaping between pale lemon yellow and lavender. The plants I have in the garden that look like this cultivar might actually be seedlings of the above mentioned ‘Artists Paintbox’ that have popped up on their own in the gravel and mulch.

My all time favourite is the burnt orange variety that closely resembles ‘Fire King’. I have grown this cultivar from the earliest days and in multiple settings. It always impresses with its brilliant, warm tone.

The great value of these plants on top of their reliability and impact is the way their strong winter growth blocks out the innumerable wet season weeds that rise up throughout the garden (cleavers, fumitory, capeweed  and to name a few).

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Erysimum cultivar at the end of the season, this is usually when I give them the chop

 

 

Another Autumn, another post about apples…

Every year the apple trees prove to be the most reliable of fruit and every year the Jonathon proves to be the most reliable of varieties. It was introduced in 1864 in the USA. It appeared in Australia at some point before I was born, because I remember this being THE red apple of my childhood.

The orchard in my garden is about fifteen years old. The apples are dwarfing rootstock and we keep the trees pruned so that ladders are not required to pick the fruit and so that they can be individually netted against the rosellas and the crows who would be happy to eat them all.

The Jonathon is my standout favourite allrounder. It is the one in the orchard that doesn’t miss a year. The one that we eat fresh in abundance and cook with the most. The one whose fruit keeps the longest in storage, where it retains its flavour and texture the best. I remember it fondly from childhood and now in middle age it contributes a delicate sweetness and character to the cider we make with it. An all round champion, for me at least.

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There is always an outer layer of apples on the tree that are ruby red, an eternal image of fecundity and good health. Then hidden in the silvery green leaves are the pale green apples. You would think they are a different variety. Because the skin has not been touched by light, the anthocyanins have not been triggered into action and so they stay green, but they are still sweet and they are still delicious, but I tend to bundle the green kind into storage and the bright red ones are served up fresh.

Apple trees can have a variety of fungal problems, the Granny Smith in the same orchard is a tragic victim of scab (Venturia inaequalis), for example, but Jonathon seems to be pretty much blemish free at least here.

Part of the regular orchard maintenance in the lead up to the harvest is to gather up windfalls, then after the harvest and throughout Autumn and early winter, the lawn is kept short, the clippings gathered up, with all the leaves that have fallen, and taken away to be composted. We probably should burn the leaves, to make sure any fungal spores are dispatched. But we are conscious of the problems of air pollution and make sure the compost made with the clippings from the orchard are used as far away from the apple trees as possible. Breaking the leaves down quickly can certainly reduce the numbers of fungal spores that persist into the following year to reinfect the tree.

The other great pest, for the apples is the European wasp. I have seen them in their hundreds attacking the ripe fruit, biting holes through the skin and then eating the flesh from the inside out until nothing is left but the papery skin, a shell, a husk. It is a sure sign that the fruit is ripe, however and a good alarm to say hurry up and pick them before the wasps do.

I’m protective of this tree as you might have learnt. And I know not everyone will share my passion. I wonder, though, whether particular apple varieties have this affect on other gardeners. What’s your favourite?